There have been albums assembled in this way before, notably from ‘70s and ‘80s American cult rocker Todd Rundgren (1985’s A Cappella) and Björk (2004’s Medúlla), but none with this mainstream potential.
He was born in Aberystwyth, Wales, his artist mother and teacher father moving to Norwich when he was one. For the next 10 years the family - including his five brothers and sisters - lived on a council estate. He remembers “fences being burned down and people running around the streets with fish knives”, so they moved to North Walsham near the coast.
He discovered music at an early age via his dad’s CD collection (music is in his genes: his great-granddad was lead trombonist in the BBC symphony orchestra, the first band on TV). He remembers a wide variety of sounds from brit-pop to grunge, such as Blur and Nirvana. The first band he truly got into was Oasis.
Aged 11, he acquired an electric guitar which he taught himself to play. Soon, he was playing bass as well, and drums, performing in a number of school bands.
At school, he was a high-achiever and a good pupil, give or take the time he was excluded for two weeks for prank-defrauding the school computer system. He passed all of his GCSEs, but already by Year 11 he had discovered dance music and hip hop and found his true calling, especially after seeing Dizzee Rascal perform at the University of East Anglia.
Formerly a metal fan, he cut his hair just as he discovered the sport of boxing (he had several amateur fights), as well as the art of beatboxing. A chance meeting with the Eastpak Throwdown crew confirmed that this was his destiny.
“I discovered I was good at it,” he recalls of his early attempts at beatboxing, “so I transferred all my knowledge of instruments to my voice.”
While studying for a Foundation Degree in Music Business and Production at Westminster University, he honed his beatboxing skills busking on the streets of London. He would earn up to £200 for stints in Piccadilly Circus and Trafalgar Square. Fellow buskers were envious at his burgeoning popularity; he even appeared on a Channel 4 programme called Blackout.
He acquired a loop pedal after seeing how effectively it could be used by beatboxer Shlomo, one of the first exponents of the form that Tom caught live. It was through the dextrous use of the pedal that Tom was able to construct full songs, by looping and layering all of the individual sounds.
When the busking laws got tougher, Intensi-T decided to change tack. He began inundating promoters for bookings. His persistence reaped dividends: not only did he get booked for Latitude Festival, but he also secured a number of slots on the London club and open-mic circuits. It was at one of these nights that Intensi-T was spotted by Megaman of So Solid fame who was blown away by his beatboxing skills, declaring, "There's nobody out there like him. No one even comes close.”. The garage stalwart started to manage Intensi-T alongside music industry heavyweights, ASM Talent, and things started to "get more organised".
One such gig, at the end of 2009, involved Intensi-T and another rising, fair-skinned, ginger-haired musician by the name of Ed Sheeran. Not that Sheeran was quite as big a draw back then - apparently, five people turned up to watch Tom and Ed play their sets.
In 2010, he entered a beatboxing competition, having sneaked into Plan B, a club in Brixton. He came second. “They were in awe of me because I was so young, which was cool,” he says. “I was just a kid from Norwich."
The following year he got a major break after Nicola Roberts saw him perform at London’s Queen of Hoxton. So impressed was the Girls Aloud star that she invited him to perform with her at T4 On The Beach in front of 50,000 revellers.
Increasingly confident live, he set about honing his studio techniques. Throughout 2013 he finessed the songs that would comprise his 2014 debut EP, co-produced by Ollie Green, who has worked with Lady Gaga. His first single release is My Drums, a euphoric encapsulation of his past, and his craft. “It captures the fun vibes that I see in the crowd when I’m onstage,” he says.
Other tracks include Top Of The World, Start Of Something and Love We Found: songs about “life and love”, exuberant and melodic, with powerful hooks and irresistible beats. They're all the more impressive considering how they were made.
In fact, so good is Intensi-T at what he does that he recently became the subject of forensic scrutiny by a university neuroscience department keen to examine his God-given gift.
“They had an MRI machine to scan our brains when we were beatboxing,” he explains. “They realised that you use the same part of the brain - the motor cortex - as you do when you’re driving. That’s how second-nature it is.”
Intensi-T is a man on a mission: to make beatboxing credible, and universally appealing.
“People used to see it as a novelty,” he says, “but I want them to see it’s a proper way to make music.”
With the respect of garage legends (Wiley, Dizzee) and pop royalty (Sheeran, Pixie Lott), Intensi-T doesn’t need to do much more convincing. Meet your new vocal hero.