There’s a lot of incredible songs on 50 Big Ones, songs that every music fan owes it to themself to hear, just not via this album.
When we learned to stop worrying and enjoy murder.
The band is looking for a place to happen, and this is a stop along the way.
The very real worry around the songs on Animator is what makes the record move, what takes sounds and makes them feel convincing.
For someone as talented as von Schirach, a man seemingly well aware of the follies of dubstep, it’s a shame that the kaliedoscopic first half of Supermeng gives way to flat, wobble-bass heavy experimentation as the album concludes.