The Weeknd’s major-label debut compiles the three mixtapes that perked ears in 2011, plus three tracks from 2012, into a sprawling spectacle of ambient neo-soul nihilism.
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An engaging biography of Polaroid that provides historical and buisness insight into the company that popularized the instant photograph — and missed the digital age.
Shelby Lynne’s truly great 2011 recording, with additional tracks, a live recording, and DVDs.
Mika’s third LP The Origin of Love washes away the neon cartoon paint that made The Boy Who Knew Too Much too sugary, but in doing so it steps back from the goofy wit that made his debut so memorable.
There is a startling maturity to the Old Time Machine sound, and there’s a consistency of vision to be had across these nine tracks.